10×8″, oils on panel, unframed
$250.00 via PayPal, $15 shipping within the US. Please email me at JamieWG@aol.com for international rates.
Painted on location at Tilly Foster Farm in Brewster, New York. I’ve bumped up this painting because it just made it into the local paper! Take a look!
8×6″, Oils on canvas covered hardboard
Email me at JamieWG@aol.com if interested in this painting.
I love this scene from the top of Hunter Mountain. I’ve painted horizontal landscapes from up here, but wanted to see if I could get something to set up well as a vertical. I think this works!
5×7″, Oils on canvas covered hardboard
$115.00 via PayPal, $10 shipping within the US. Please email me at JamieWG@aol.com for international rates.
This is a scene from Ward Pound Ridge Reservation in Pound Ridge, NY. This county park is over 4,700 acres of rolling fields, beautiful trees, and hillsides with dramatic vistas. This is a 5×7″ plein air painting—done on location. The sun was in and out of the clouds and it was a real challenge to catch the light!
Click image for a larger, clearer view:
8×10″, Oils on canvas covered hardboard
$250.00 via PayPal, $15 shipping within the US. Please email me at JamieWG@aol.com for international rates.
Painted late in the day at Olana, overlooking the Hudson River.
6×8″, Oils on sealed, primed hardboard
$150.00 via PayPal, $10 shipping within the US. Please email me at JamieWG@aol.com for international rates.
I hiked into Constitution Marsh on the Hudson River while the skies were overcast, but they didn’t stay that way for long. Keeping up with changing light as I painted was a real challenge! I brought just my oil paints and my Guerrilla Painter Thumbox in a backpack. That’s about all one could comfortably carry in over the hill and along the trails and boardwalks.
6×8″, Oils on canvas covered hardboard
$150.00 via PayPal, $10 shipping within the US. Please email me at JamieWG@aol.com for international rates.
All the leaves are down now, and the temperature has dropped substantially. I fear that we won’t be seeing anymore 60+ degree days until spring emerges! I sat outside with my little pochade box this afternoon and painted this with just three colors (and white):
Winsor Newton Cadmium Yellow Pale
Winsor Newton Bright Red (Pyrrole)
Utrecht Ultramarine Blue Deep
Utrecht Titanium White
12×9″, Pastel on Art Spectrum sanded paper
$325.00 via PayPal, $15 shipping within the US. Please email me at JamieWG@aol.com for international rates.
This is my first portrait since last winter — a two hour sketch from life. The model sits for three consecutive sessions, but I prefer to use them as sketching opportunities, and generally try to wrap up in a single session if possible. This model, Troy, is new to the art center. We’ll have two more sessions with him, so I plan to do others from different angles.
I’ve always felt that portrait and figure drawing and painting keep me honest as an artist. When painting landscapes, we can move a tree from one side of the scene to the other, enlarge a mountain, and put in clouds where there are none. But with portrait and figure painting, you can’t transplant somebody’s nose to where their mouth should be, or put a foot on the end of their arm!
Once the cold weather gets underway, I go into the portrait or figure studio a couple of times a week, using the winter to sharpen up my drawing skills. It really helps my winter doldrums too, since I’m not fond of plein air painting in the frigid weather. By late fall, I start looking forward to the change of subject and venue that winter brings. After a winter of studio landscapes, and portraits and figures from life, I feel really charged up about getting out for plein air work again in the spring.
Today I dove in for the first time this season, both in subject and medium. I hadn’t broken out the pastels for quite some time (although I’ve been talking about it for a month or so), and it’s my first portrait of the season.
9×12″, Oils on canvas covered hardboard
$325.00 via PayPal, $15 shipping within the US. Please email me at JamieWG@aol.com for international rates.
Today I returned to the location where I painted yesterday. When I first arrived there, the sky was totally blue. I had to run back to the car to get my glasses, and by the time I returned, there were white clouds. Twenty minutes later, there was this dramatic yellow sky. I decided to stick with that! It wasn’t long before the sky changed yet again, but I really liked the drama of the yellow. When plein air painting, at some point we need to stick with the plan; otherwise we risk spending the day chasing the light and never finishing a painting!
I’m really loving this spot where Fishkill Creek empties out into the Hudson River, and the mountains of the Hudson Highlands loom in the distance. I’m so glad I found this place! After so many years of painting in the Hudson Valley, it’s always exciting to find a spot that offers new and varied scenery.
Today I was painting along the Hudson River and it was quite the challenge! I went with two friends to this beautiful marsh/river view, where Fishkill Creek empties out into the Hudson River. The big hump-like mountain is Breakneck Mountain. It’s rather distinctive!
I didn’t have time to finish my painting before the light started to shift too much to continue, but I don’t think there’s all that much left to do. It will mainly be a matter of working on the foreground tree, a little sky finishing, and some adjustments to the background. I’ll repost it when it’s done. Here’s how far I got today on location:
This is the time of year when I’m trying to reap as much as I can out of what’s left of the milder weather. There will be plenty of bad weather days ahead to complete these in the studio, so I try to gather as much information about color and composition as I can while on location.
9×12″, Oils on canvas covered hardboard
$350.00 via PayPal, $15 shipping within the US. Please email me at JamieWG@aol.com for international rates.
This painting was started on location and finished up in the studio. It was one of those cold, overcast, pre-winter days that generally lack excitement, but the falls were spectacular and made all the drama.
Below is a photo of the painting showing what was completed on location. I tried my best to capture all the information I’d need to finish it in the studio. There wasn’t really much left to do—mostly filling in some background color and tweaking a bit here and there.
My palette for this painting:
Red Oxide Transparent (RGH)
Yellow Oxide Transparent (RGH)
Cadmium Scarlet (Winsor Newton)
Permanent Carmine (RGH)
Prussion Blue (RGH)
Ultramarine Blue (RGH)
Cadmium Yellow Primrose (RGH)
Titanium White (RGH & WN Griffin mixed half and half)
While out painting at Bannerman Island with friends two weeks ago, we were offered a show at Bannerman Island Gallery! The opening is this Saturday, November 14, 4-8pm. I’ll have some of my new fall works there, including the one featured below.
Click for a clearer, larger image:
5×7″, Golden OPEN Acrylics on linen.
$115.00 via PayPal, $10 shipping within the US. Please email me at JamieWG@aol.com for international rates.
This was so much fun to paint!
My palette for this painting was:
Cadmium Primrose
Cadmium Yellow Medium
Pyrrole Red
Ultramarine Blue
Phthalo Blue
Titanium White
5×7″, Golden OPEN Acrylics on sealed, primed hardboard
$115.00 via PayPal, $10 shipping within the US. Please email me at JamieWG@aol.com for international rates.
This beautiful view of the Hudson River was painted from a photo I took. I love the look of the Hudson Highlands as the trees lose their leaves. They take on the most beautiful pinky-violet color until the greens of summer re-emerge. I have done an 18×24″ painting of this scene as well.
10×8″, Golden OPEN Acrylics on sized Canson board
$250.00 via PayPal, $15 shipping within the US. Please email me at JamieWG@aol.com for international rates.
Painted on location in Acra, New York.
8×10″, Golden OPEN Acrylics on sized Canson board
$250.00 via PayPal, $15 shipping within the US. Please email me at JamieWG@aol.com for international rates.
Painted on location in Acra, New York.
Since my post about tubing my own paint, I’ve received many requests for instructions from viewers. Hopefully this demo will answer most of your questions. Many thanks to Marc Hanson for his paint-tubing advice as I got started with doing my own.
There are many reasons for tubing your own paint:
Mix leftover paints when a session is done and save it as a neutral “mud mix” for future paintings;
Make your own paints out of binders and pigments;
Mix various values of grays and tube them;
Premix favorite color mixes;
Purchase quality paints that come in jars, like RGH brand, then tube them yourself;
Buy your favorite paints in very large tubes, and transfer to smaller tubes for travel/plein air work.
I made up a dozen tubes yesterday of various reds, taking photos along the way to show you how to do it. Most artists will find that they already have most of what they need, except perhaps the tubes themselves! Those can be ordered from online sources such as Dick Blick, Jerrys Artarama, and ASW.
Supplies I use are:
Paint tubes (of course!)
Long, straight palette knife. (Width depends on your tube size.)
Pre-cut strips of paper towel
Rubber gloves
Wooden craft sticks
Tube wringer
Canvas pliers
Sharpie marker/marking pen
Packing tape
Little colored dots (optional, but really handy)
Put on your disposable gloves. Holding the open end of the tube upright, transfer paint into the tube with the palette knife. Place it as far down into the tube as you can. Tap several times as you transfer, so that the paint settles down in the tube and you don’t get air down there. Try to keep the sides of the tube free of paint. When you get 1.5-2″ from the top, scrape out around the side of the tube above the paint level to remove as much paint as possible.
Squeeze the end flat with your fingers, making sure you get out all the air. Use a wooden craft stick on a small piece of paper towel to press out as much paint as you can that remains in the flattened section of the tube.
Next you’ll use the tube wringer to crimp that end and prevent paint from escaping. I find that by folding a few thicknesses of paper towel over the tube end first, I can avoid a lot of mess on my tube wringer! That saves me a lot of cleaning time too. If you do happen to get a lot of paint on it, just fold a piece of paper towel and wring it through a few times to remove the paint.
Fold the tube end tightly with your fingers, crimping it with the canvas pliers as you go.
I like to use these little labels on the tubes that I can prepare in advance, but if you prefer, you can just write the color directly on the tube with a sharpie. The little colored dots make it easy for me to recognize color family when sorting quickly through a bunch of tubes in my box. I put a small dot on the back side of the tube as well.
Surround the label and dots with clear packing tape. That will prevent the name from coming off. If you’ve written the names directly on the tubes with a Sharpie, it will protect it from rubbing off.
All done. It’s a cinch!
12×16″, Pastels on Wallis sanded paper, custom matted and framed to 16×20
Email me at JamieWG@aol.com if interested in this painting.
I did a tiny, 6×6″ acrylic painting of this scene and liked it so much that I’d been meaning to do a larger version for quite some time. I broke out the pastels for this 12×16″ rendition. I hadn’t worked in pastel for quite some time, and really enjoyed the immediacy of the medium and color brilliance. I think perhaps there is a still larger version to be done at some point down the road!
8×10″, Oils on canvas covered hardboard
$250.00 via PayPal, $15 shipping within the US. Please email me at JamieWG@aol.com for international rates.
I have painted this scene many times at different times of day. This one was painted at 12 noon on location. Notice how the light is flatter in the middle of the day. Shadows are not as dark, and contrasts are less pronounced.
6×8″, Oils on sealed, primed hardboard
$150.00 via PayPal, $10 shipping within the US. Please email me at JamieWG@aol.com for international rates.
It was so cold standing in the wind at Olana while painting this that tears were running down my face!
