5×7″, Watercolor on 140# Arches Rough
$100.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.
Dramatic skies ruled the day! This lovely pond lies across from the red barns at Olana and has beautiful views from all around.
1.75×4″, watercolor on Arches Rough 140lb. paper, mounted on 5×7″ archival matboard to pop into a standard frame
$100.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is a miniature watercolor of the scene I posted yesterday. Everybody has room for one of these little gems. They look charming either framed and hung, or displayed on tabletop easels. This was also painted on location at Frederic Church’s Olana estate, a home of the Hudson River School movement.
Click image for a larger, clearer view:
4×10″, watercolor on Arches Rough 140 lb. paper
$100.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.
I love this vantage point down by the barns at Olana, with the eastern view. I’ve done three oil paintings from here, but always wanted to do a longer format. So, here it is in watercolor! I did a miniature version too, which I’ll post tomorrow or Friday. My husband was taking a photography workshop here, so I got to hang out and paint!
Sepia and white lead on Stonehenge archival rag paper
1/8 sheet size (7.5×11.25)
$130.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was a drawing I did from the studio window on a rainy day. I’ve been wanting to sketch or paint this view for a long time and finally got my chance! I was looking at sketches last week by Hudson River School artist BBG Stone, and became captivated by the way he would zero in on his focal point in a certain area of his drawing, leaving the rest in a more unfinished state. I liked the way it created a vignette within the scene, and I’m looking forward to exploring this style in my drawings and sketches.
Usually I use this approach of a dark and a light on midtone paper in the figure studio, but BBG Stone employed it very successfully in many of his landscape sketches, so I had to give it a go too. I loved working this way! More like this will definitely follow in the near future!
Here is an image you can click on to get a larger, sharper view:
Watercolor, 1/8 sheet (7.5×11.25″) on Arches Rough
$175.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.
After doing the three miniatures shown over the past few days, I did a larger version, borrowing from what I liked in the others, as well as responding to changing lighting at the scene. I really wanted to convey the glistening hillside in the afternoon sunlight.
Here’s an image you can click on for a larger, clearer view:
About 3.5×5″, watercolor on Arches paper, double matted to 5×7″ to fit in any standard 5×7″ frame.
$100.00 plus free shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is the third in a series of four small watercolor paintings of Mount Merino, painted on location at Olana (home of Hudson River School artist Frederic Church). It is double matted to pop right into a standard 5×7″ frame.
About 3.5×5″, watercolor on Arches paper, double matted to 5×7″ to fit in any standard 5×7″ frame.
$100.00 plus free shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.
This is the second in a series of four small watercolor paintings of Mount Merino, painted on location at Olana (home of Hudson River School artist Frederic Church). It is double matted to pop right into a standard 5×7″ frame.
About 3.5×5″, watercolor on Arches paper, double matted to 5×7″ to fit in any standard 5×7″ frame.
$100.00 plus free shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.
I did a series of small watercolor paintings from Olana over the past week. The home of Hudson River School painter Frederic Church is a place near and dear to my heart. I’ve been wanting to paint this hillside view toward Mount Merino for a long time! It was done from one of the carriage roads on the property. I was drawn to the way the near hillside is illuminated in the sunlight, framed by Mount Merino behind it.
This painting has been double matted so that you can pop it into any standard 5×7″ frame.
Click painting for a larger, sharper image.
9×12, Oils on archival linen panel
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
This is a new painting of the Thomas Cole House, done from a small plein air painting and a photo as references.
8×10″, Golden Fluid Acrylics on archival Canson board
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
Deep in the woods is a stunning waterfall with clear water, rusty colors, and striking rock outcroppings, set in a hemlock grove. I often hike there with my husband, but this was my first time going with paints and an easel. I also used the opportunity to test drive a new easel setup, which I loved. More on that coming soon!
Here is my easel and painting at the scene when I was almost finished. You can see that by then the sun had shifted quite a bit. Much is in shadow in the photo that was very visible to the human eye:
Here’s an image of the painting that you can click on to get a larger, clearer view:
Now that I know I can easily hike there with this easel, I’m looking forward to going back and taking on a bigger painting!
My husband has been on vacation this month, hence the reasons why you haven’t seen many paintings here. If you’ve been following my sketches on my other blog, you have seen a few of the places we’ve hiked to, and what I sketched while hanging out on the patio with my Sweetheart. This past week we’ve had Hurricane Irene to deal with, and that sure packed a whallop around here. We are fortunate that our property survived quite well and we had no flooding in the house. We also managed to retain power almost the entire time. Here are some of my personal photos that show just a tiny portion of what happened around me.
Here’s a photo along Kaaterskill Creek in Palenville, by the Woodstock Avenue bridge, which gives an indication of the general road conditions following Irene. The creek makes a sharp turn here, and the power of the water against the bank collapsed an entire section of the roadway. A woman’s house along the creek washed away during the storm.
Our back yard started to fill up quickly when the storm hit:
We were fortunate that the house and septic were on high enough ground, and with good enough drainage around the house, to not be affected. Things have pretty much returned to normal for us here at home. To show how much water there was, here’s a photo of one of our streams now, with a “moderate-to-heavy” amount of water flowing:
Here’s the same stream just after the hurricane. The water had actually subsided a bit by the time I got out there to take this photo:
One of our small waterfalls is also a dramatic tale of what the storm brought. Here’s a photo from before the storm. You can see that the water flows only to the left side of those rock ledges:
Well, here it is just after the storm! There’s so much water here that you can’t even see the ledges at all! The stream couldn’t contain all the water, which is why it jumped the banks in the back of our property and flooded the yard.
I’m so thankful that we fared better than most of the folks up here in the Catskills. So many have lost everything. It’s a real tragedy. With the sun shining and the dog playing in the pools by the waterfalls again, it’s almost hard to believe that so many are left with no homes and nowhere to go.
