15×20″, acrylic on sealed illustration board
$400.00 plus $25 shipping and insurance within the Continental United States. For local sales, shipping charge will be allocated to NYS Sales Tax. Please email me at JamieWG@aol.com for International purchases or with any questions.
This was painted from a photo I took along the Maine coast. I love the weaving design, and the many layers of atmospheric distance.
When you look at the painting as a whole, you don’t really see the drips and spatters until you have a closer look. They add so much to the painting! Here’s a closeup of a drippy area:
Here is part of the pebble-strewn shoreline with the spatters:
You can click the image below for a larger, clearer view:
I’ll still me doing my more traditional work in acrylics and other mediums, so I’m not ready to give up that style yet! But I’ve been enjoying the exploration of this style over the past year or so and plan to do more of it.
So, what do I think of the new Golden High Flow acrylics? Well, here’s my personal opinion of the good, the bad, and the beautiful. I’ve been working with them for awhile now and have had a chance to do several paintings. I also had the advantage of working with the Golden Airbrush paints for a year or so previously. They are the predecessors to the High Flow line, so I had an idea of how they would handle. Sort of.
These paints handle similarly to the Airbrush paints, but not exactly the same. The good news is that the High Flow line has a more robust, durable binder. The bad news is that the High Flow line has a more robust, durable binder. It’s funny how that can happen! In the long run, I think this will prove to be a good thing for me. It really does make the paints more archival, and they will be easier to varnish. In the short term, I have some technical things to work out to adjust for the difference, since the paint will not lift as easily nor for as long.
The colors are exquisite. I missed a lot of my favorite colors in the old line, but the High Flow line has Ultramarine Blue, Pyrrole Orange, some real earth colors, and other colors that I like a lot. I do wish there was a Pyrrole Red instead of Napthol. I’m using Quinacridone Red mixed with Pyrrole Orange instead. I’m sure that more colors will come along over time, as I can’t imagine this not becoming a very popular line.
The good news for collectors is that these paints dry to a durable finish. They varnish beautifully and can be framed without glass, just like other acrylics and oil paintings.