(Sorry about the slight glare on the lower left; that’s not on the painting, but just a reflection of the rebounding room lighting here on the wet paint.)
8×10″
Oils on archival linen panel
$265.00 plus $15 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

I’ve used this color combination in acrylics and watercolor, but I think this is my first go at it in oils. It’s interesting how the mood of the painting is affected by the bright crimson underpainting. Even though almost all of that color is covered over by other paint colors, the air still breathes the warmth of the strong pinky-violet undertones.

Hudson River School artist Frederic Church’s Olana estate remains one of my favorite vistas along the river. I never get tired of painting from there. It seems that when I do tire of a certain view there, a dozen more magical scenes from the property seem to appear!

A number of viewers have written to me recently, commenting on the fact that I haven’t posted any paintings for awhile, and wondering if I fell off the face of the earth! Actually, I’ve been painting up a storm. Winter brings changes with it, and I do lots of experiments with assorted media, commissioned paintings, and charge through countless pages in my sketchbook, using ink and watercolors, visiting places like the Bronx Zoo, Maritime Aquarium, pet stores, Adams Fairacre Farms in Wappingers — any warm indoor location that will have me, with something interesting to draw or paint! I post new work almost daily to my Hudson Valley Sketches site (click here) this time of year. Please do check it out and say hi over there!

If you’d like to see a slightly larger version of the painting, you can click the image below:

About 7×9″, Watercolor on paper
$150.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

I paint this scene at least once or twice every year as the morning sun streams through the backlit trees. I never get tired of it! This was my first time painting it in watercolor. I did a miniature first, which I’ll post tomorrow, and then this slightly larger version. I feel like I’m finally getting that sparkle in my watercolor work that I’ve been chasing for so long!

7.5×11.25″, Gouache on Stonehenge paper
$175.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

I’ve really been enjoying observing and painting these brightly colored, backlit fall scenes. Capturing the brilliance of the color this time of year is an annual fall challenge that I always look forward to, made all the sweeter by the fact that it precedes the period of winter hibernation.

This old, convoluted maple tree has been the subject of many of my sketches and paintings this year. I’ve been watching it for years, thinking about how much I wanted to paint it someday, as I’d walk the dog past it. Finally that temptation became a reality this year, and I did it from many angles in pencil, Cretacolor leads, watercolor, and now gouache. Next year, oils and acrylics!

I’ve been posting ink lightfastness tests to my other blog, Hudson Valley Sketches. If you’re interested in seeing those results, here’s a direct link to yesterday’s post.

5×7″, Oils on archival linen panel
$130.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

The red in the distance in the image above isn’t as strong in the painting as it’s showing on my monitor, but when I adjust that, the foreground goes green! So, you’ll just have to imagine that distance as being much softer in the actual painting.

My husband and I took the “Skyride” (chair lift) up to the top of Hunter Mountain, then spent a few hours hiking at the top and taking photos. Since we were able to ride up there, I brought along some painting supplies. However, I was having way too much fun chatting and walking, having a picnic, and snapping photo references to pull out the paints. This was done from one of my photos instead. My husband is just now downloading his photos taken that day with his Nikon. I’ve been peeking over his shoulder and there are definitely some there I want to paint also!

I had to wait around the house yesterday for my oil burner to be serviced. Since I didn’t know what time they’d be coming, my friend Jani said she’d come over and paint outside with me for the day. It turned out that the repair guy showed up at 8:30am and was done within a couple of hours, but we were content to stay and paint by the house anyway. Both of these are subjects that I have painted before in one form or another. I’ll discuss that more once I’ve had a chance to do some touch-ups and photograph them individually. This is a photo I snapped with my cellphone camera after coming inside at the end of the day. The paintings seemed to make a nice colorful, autumnal grouping.

Email me at JamieWG@aol.com if interested in this painting.

12×9″, Oils on canvas covered hardboard
$335.00 plus $15 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

I set out on a beautiful sunny day with my easel. When I came to this gorgeous spot, I set up in the middle of the road to paint.

As soon as I had my easel out and started to lay in color, the clouds thickened, shadows vanished, and colors changed!

I decided to stay with the moody, atmospheric day it had become. Most of this painting was done on location. I had plans to paint with a friend at Olana that afternoon, so I had to pack up before I was quite finished, and added the finishing touches in the studio today.

5×6″, Watercolor on Arches 140# Rough paper
$100.00 plus free shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

I painted this on location at Hudson River School painter Frederic Church’s estate, Olana, in Hudson, New York. It is one of the best sunset spots, and many visitors come late in the day just to see the sun setting over the Hudson River and Catskill Mountains. On the evenings when the sky doesn’t light up with bright colors, the beauty of the late day light effects still makes it worth the trip up the hillside.

8×10″, Watercolor on 140# Fabriano Artistico Cold Press paper
$175.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

This painting was done from photos that I took on a recent hike with my husband up to Sunset Rock. The most famous view from there is overlooking North South Lake, with Kaaterskill High Peak and Roundtop in the distance. It was a popular painting location even back in the days of the Hudson River School painters. I decided to look for some alternate vistas up there, and it wasn’t too hard to find some that appealed to me — like this one! You can not only see west to the lakes and Catskill Mountains from this vantage point, but also southeast to the Hudson River Valley below.

Eighth sheet (about 7.5×11.25), colored leads on Stonehenge paper
$130.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

My regular viewers here have seen this waterfall painted from many different angles and seasons, in many mediums, and various sizes and formats. Now you can see the tonal sketch version! I am really enjoying working this way, with a light and a dark on toned paper. I sat on a gardening cushion on a rock at the water line to do this sketch, with my little dog Rondo wading in the pools of the waterfalls.

I’m disappointed with the way these toned drawings reproduce digitally. The paper color is so much warmer and more inviting than the color I’m able to capture with my camera, and the shadows have more depth. The tone of the paper is slightly darker than what I’m seeing on my monitor too, but when I adjust that, I lose the sparkle on the lights. All I can say is, the original looks much better than the image in this case!

Sepia and white lead on Stonehenge archival rag paper
1/8 sheet size (7.5×11.25)
$130.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

This was a drawing I did from the studio window on a rainy day. I’ve been wanting to sketch or paint this view for a long time and finally got my chance! I was looking at sketches last week by Hudson River School artist BBG Stone, and became captivated by the way he would zero in on his focal point in a certain area of his drawing, leaving the rest in a more unfinished state. I liked the way it created a vignette within the scene, and I’m looking forward to exploring this style in my drawings and sketches.

Usually I use this approach of a dark and a light on midtone paper in the figure studio, but BBG Stone employed it very successfully in many of his landscape sketches, so I had to give it a go too. I loved working this way! More like this will definitely follow in the near future!

Here is an image you can click on to get a larger, sharper view: