6×8″, Oils on sealed, primed hardboard
Email me at JamieWG@aol.com if interested in this painting.

The little monochrome painting above was done at a pond up the road from me that has wonderful mountain views. I asked for permission to park and paint there, and the gentleman in the driveway said that his wife was also an artist, and that I should go knock on her studio door and say hi! Well, I did that and made another new artist friend in the area! It turns out that she will be in a show with me next weekend. Such a small world! Her studio overlooks this dramatic view, and she had an especially beautiful winter scene that she’d done from the window.

I used the opportunity to do a monochrome painting, then a limited palette painting. I’ll go back again and do a full color version.

In addition to the value paintings I’ve been doing in acrylic, I have an oil painting setup to do monochrome studies easily and quickly in oils. I use the Judson’s Guerrilla Painter 6×8 watercolor box, Gamblin Light, Medium and Dark Portland Grays, plus Ivory Black and Titanium White. I also keep three colors in here for limited palette studies: Transparent Yellow Oxide, Transparent Red Oxide and Ultramarine Blue. (You can click this image to enlarge it a bit.) It has a cover, and fits right inside my 6×8″ Guerrilla pochade box.

I’ll post the limited palette version of this painting tomorrow.

Summer Greens at Boscobel: Hudson River Quadricentennial Series No. 26
6×8″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

Today began my five day painting trip. I started out this morning at Boscobel Restoration in Garrison, New York, on the Hudson River. This was my first visit to Boscobel this year since the summer greens took over the landscape. The day has been picture perfect, and I had a wonderful time doing this painting!

I don’t have my image editing software on my laptop yet, so during this trip, I’ll have to just post the images as they come out of the camera, without any adjustments. I tried to take this picture to take in part of the scene as well as the painting, so you’d get an idea of what I was painting. When I get back to my desktop system next week, I’ll add adjusted images of all the paintings to their posts.

8×10″, Golden OPEN Acrylics on sized, “Pearl” Canson board
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

Many Hudson River School painters, including Thomas Cole and Jasper Cropsey, painted from this spot high above North South Lake. I can see why they derived so much inspiration from this location.

Although the view faces west and offers spectacular sunsets, my husband and I opted to make the one mile climb up there in the early morning to beat the heat. I sat on a large rock slab in the shade provided by the huge Sunset Rock, and used my small, foamcore pochade box, which was a real godsend on this trip!

10×8″, Golden OPEN Acrylics on “Pearl” Canson board
This scene is available as a studio/commission original painting in any size/price range. Please email Jamie at JamieWG@aol.com if interested.

What is the tallest waterfall in New York State? Niagara? Nope, guess again. It’s Kaaterskill Falls!

My first opportunity to paint on our trip, following in the footsteps of the old Hudson River School painters, was after climbing a half mile up to the base of Kaaterskill Falls. You wouldn’t think one would have to climb so far uphill to get to the bottom of a waterfall, but it is indeed far up the mountain. I don’t think I would have made it without my new ultralight painting box in my backpack. I didn’t have to carry a thing, and my pack was nearly weightless. Here’s a photo of the new painting box and my palette for this painting. I’ll be posting more photos of how the box was constructed in the week to come. You can see that I’ve added an extension to it, which can hold my brushes and palette cup.

In the early morning light, most of the fall was in shadow, so I chose a scene that focused on the waterfall/cascade right at the base, where the light was strongest. By the time I was finishing up this painting, a little light was just beginning to hit other parts of the falls. I stayed to do a second painting that included the top tier of the falls as well. I’ll be posting that one tomorrow, so stay tuned!

Thomas Cole and many of the Hudson River School painters painted from this very spot. There are beautiful cascades all the way up the trail to the base, inviting a series of paintings. In fact, the beautiful Bastian Falls is right at the bottom before the trail even starts to ascend, but it’s definitely worth it to make the climb to the top to experience Kaaterskill. I’m sure I’ll be coming back here many times in the years to come to take advantage of other locations along the way.

We intentionally went the day after a heavy rain, figuring that there would be a significant increase in the amount of water coming over the falls and the drama it created. We were right! Most of the paintings and photos I’ve seen of this waterfall display a far narrower stream of water. We chose the right time to go, even if the way up was a little wet and slippery!

Edit: I just checked the image above on a different monitor and it looks a little too light, so depending on your monitor, this image below may be more accurate:

8×6″, Golden OPEN Acrylics on linen
For purchase information, please email me at JamieWG@aol.com.

This is from today’s open studio. This is the first time I’ve done a figure on this clear-sealed linen, and I just love the way the colors work with it and the texture.

I used the new, lightweight painting/pochade box that I made for this one. It’s working out great! Here it is in the life drawing studio all set up and ready to go….

Click on any images below for a larger view. The post below this one gives instructions for making the box shown in these images.

I’ve had this idea brewing in my head for almost a year, and finally made my car/laptop painting box this weekend! I wanted something extremely lightweight. This is made out of a single sheet of black foamcore! I used foamcore to make my pastel boxes, and was amazed by how sturdy it turned out to be when constructed properly. I used the same techniques to create this painting box. Best of all is that it weighs only one pound!

The white palette is a foam meat tray. I found them in an 11.25 x 9.25″ size and thought that would be ideal for palette inserts for my box, and also to use as palettes for oils and acrylics in open studio. They are perfect for gouache and casein too! I found a place online that had them and ordered a case of 250. A stack of four can fit in this lap box.

Here’s what the case looks like when it’s closed up for traveling. It measures 17×10x2″. The front closures are velcro strips.

The box is sealed with a couple of coats of Golden GAC100, so it can be wiped clean and should be fairly water resistant in case of water and paint spills.

Inside the box, there’s ample room for brushes, paints, several foam palettes, paper towels, a small solvent container like the mini one made by Guerrilla Painter, or a collapsible water container like this Aqua Tote for acrylics.

I found the little containers (above) in the camping department at a sporting goods store. They have an air-tight seal, so I think they should work out great for holding and storing all types of paints. With these two, I can hold more than enough colors for an outing plus a way to store leftovers when I’m done. However, the box is deep enough to hold tubes of paint if I prefer to bring the tubes.

I decided to make the back hinges out of heavy duty velcro. Because this box is for multi-media use, and I also plan to use it for painting in my car, I wanted it to be as versatile as possible. Velcro hinges make the lid completely removable if the car is tight for space and I want to separate my drawing/painting support from the box itself, or if I need to lie it flat for watercolor work.

This side arm prevents the box lid/painting support from opening too far. I decided to use velcro for this feature as well, in order to have greater adjustment potential. The velcro “hook” strips along the side (above) and the back (below) secure the arm made of the “loop” velcro.

The Aqua Tote water holder, below, is one of my favoite items of painting gear for water media. Not only does it pack up into a small space in the box, but it also serves as my brush holder, and is very lightweight.

These are available online from Dick Blick, Jerrys Artarama, and ASWexpress.com.

Another helpful item I found recently was a package of small misters. These are helpful for keeping acrylic paints wet on the palette, as well as for moistening paper for watercolor and acrylic wet techniques. They are only four inches long and 1/2″ wide. I found them at my local Michael’s Arts and Crafts shop.

Now that I’ve finished taking photos and typing all this out, I’m going to find something to paint and give my new box a test drive!

Update after field testing:
I’d suggest using duct tape for the back hinge instead of the velcro strips. I’ve found that I have yet to make use of the capability to remove the box lid, and the velcro strips keep pulling up.
Instead of office clips to affix my painting support, I am finding blu-tac much more convenient. It enables me to paint right up to the edges of my work.
The office clips can be used on the left side of the lid (if right handed) to clip some paper towels or a rag to the lid. That way, the left side of the lower tray can be reserved for paint tubes/containers, mediums, and water/turp.

For some unknown reason, I’m having to click twice on these pages to get large, clear images. If you click and the image is unclear, try clicking the image a second time.

My permission is granted to download and print out the three images in this post for your own information and reference only.

Update after field testing:
I’d suggest using duct tape for the back hinge instead of the velcro strips. I’ve found that I have yet to make use of the capability to remove the box lid, and the velcro strips keep pulling up.
Instead of office clips to affix my painting support, I am finding blu-tac much more convenient. It enables me to paint right up to the edges of my work.
The office clips can be used on the left side of the lid (if right handed) to clip some paper towels or a rag to the lid. That way, the left side of the lower tray can be reserved for paint tubes/containers, mediums, and water/turp.

6 x 8″, Oils on canvas covered hardboard, unframed

I finally was able to snatch some plein air time today. Hooray! It was one of those spectacular fall days, with the warmth and sunshine you didn’t think you’d find again until spring. I dropped my daughter at gymnastics and headed for a nearby park to take in some rays and test drive my new pochade box.

I hear those giggles among those who know me. “Another pochade box?”, they’re asking. I already have one for oils (which is a little bigger and supports larger panels) and one that I made for gouache. I plan to use this new one for “stealth painting”. heeheehee… It’s so small, and I’ve filled it with watersoluble oils so that I can just use whatever water I have on hand for painting in cafes, my car, or even the kitchen, with no worry about fumes or toxic substances, and no need to carry oil or turp.

Here’s an image of the painting still in the box. You can see there’s a hinged lip at the top of the part that holds the panel securely in place, so that you can slide the panel in and out. The box will hold one 6×8″ panel horizontally, and keeps it separated from the paints so that I can travel with the wet, completed painting.

The palette itself is actually wood, but I covered it with white contact paper for easier cleanup, and because I prefer to mix colors on a white surface. I find it hard to judge the colors and values of my dark, transparent mixes on a dark wood palette. The white contact paper worked out great. It wipes clean easily with a palette knife and rag, and if it gets tattered down the road, I can just peel it off and recover. As shown below, the palette slides to the left, giving easy access to the box’s storage compartments.

Here’s another view of how I packed up my box. I had to cut the handles off some of the brushes so that they’d fit. Underneath that rag is a thumb hole for supporting the box while standing.

For those looking for a small box like this, I give this one pretty high marks. It is sold by Utrecht, and made by Jullian. It is very reasonably priced, and comes with an adjustable leather shoulder strap too.