3×4.25″, Watercolor on Arches 140# Rough paper
$100.00 plus free shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

This painting is a miniature version of the one I posted yesterday. Watercolorist David Taylor got me into doing these tiny watercolor sketches as quick-captures of a scene, or to warm up before embarking on a larger version. They give the artist a chance to test drive some ideas and different compositions, without taking up a huge amount of time. If something’s not going to work, better to find out with less time invested! It also lets us explore ways of making improvements and testing color combinations. I’ve become quite hooked on these! They look charming matted and framed, and hung on a wall or set on a little table easel.

About 7×9″, Watercolor on paper
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I paint this scene at least once or twice every year as the morning sun streams through the backlit trees. I never get tired of it! This was my first time painting it in watercolor. I did a miniature first, which I’ll post tomorrow, and then this slightly larger version. I feel like I’m finally getting that sparkle in my watercolor work that I’ve been chasing for so long!

7.5×11.25″, Gouache on Stonehenge paper
$175.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

I’ve really been enjoying observing and painting these brightly colored, backlit fall scenes. Capturing the brilliance of the color this time of year is an annual fall challenge that I always look forward to, made all the sweeter by the fact that it precedes the period of winter hibernation.

This old, convoluted maple tree has been the subject of many of my sketches and paintings this year. I’ve been watching it for years, thinking about how much I wanted to paint it someday, as I’d walk the dog past it. Finally that temptation became a reality this year, and I did it from many angles in pencil, Cretacolor leads, watercolor, and now gouache. Next year, oils and acrylics!

I’ve been posting ink lightfastness tests to my other blog, Hudson Valley Sketches. If you’re interested in seeing those results, here’s a direct link to yesterday’s post.

I had to wait around the house yesterday for my oil burner to be serviced. Since I didn’t know what time they’d be coming, my friend Jani said she’d come over and paint outside with me for the day. It turned out that the repair guy showed up at 8:30am and was done within a couple of hours, but we were content to stay and paint by the house anyway. Both of these are subjects that I have painted before in one form or another. I’ll discuss that more once I’ve had a chance to do some touch-ups and photograph them individually. This is a photo I snapped with my cellphone camera after coming inside at the end of the day. The paintings seemed to make a nice colorful, autumnal grouping.

Email me at JamieWG@aol.com if interested in this painting.

12×9″, Oils on canvas covered hardboard
$335.00 plus $15 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

I set out on a beautiful sunny day with my easel. When I came to this gorgeous spot, I set up in the middle of the road to paint.

As soon as I had my easel out and started to lay in color, the clouds thickened, shadows vanished, and colors changed!

I decided to stay with the moody, atmospheric day it had become. Most of this painting was done on location. I had plans to paint with a friend at Olana that afternoon, so I had to pack up before I was quite finished, and added the finishing touches in the studio today.

8×10″, Watercolor on 140# Fabriano Artistico Cold Press paper
$175.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

This painting was done from photos that I took on a recent hike with my husband up to Sunset Rock. The most famous view from there is overlooking North South Lake, with Kaaterskill High Peak and Roundtop in the distance. It was a popular painting location even back in the days of the Hudson River School painters. I decided to look for some alternate vistas up there, and it wasn’t too hard to find some that appealed to me — like this one! You can not only see west to the lakes and Catskill Mountains from this vantage point, but also southeast to the Hudson River Valley below.

Eighth sheet (about 7.5×11.25), colored leads on Stonehenge paper
$130.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

My regular viewers here have seen this waterfall painted from many different angles and seasons, in many mediums, and various sizes and formats. Now you can see the tonal sketch version! I am really enjoying working this way, with a light and a dark on toned paper. I sat on a gardening cushion on a rock at the water line to do this sketch, with my little dog Rondo wading in the pools of the waterfalls.

I’m disappointed with the way these toned drawings reproduce digitally. The paper color is so much warmer and more inviting than the color I’m able to capture with my camera, and the shadows have more depth. The tone of the paper is slightly darker than what I’m seeing on my monitor too, but when I adjust that, I lose the sparkle on the lights. All I can say is, the original looks much better than the image in this case!

Watercolor on Arches 140# Rough
3.5×5″, double matted to 5×7″ to fit in any standard 5×7″ frame
$100.00 plus free shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

This is the same old maple tree that I did the other day in a monochrome rendering, but from the other side, and in a different medium. This tree presents the most interesting study from any angle. You can also see a pencil sketch that I did of it from a third vantage point. I’m still not tired of studying this tree!

Sepia and white lead on Stonehenge archival rag paper
1/8 sheet size (7.5×11.25)
$130.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

This was a drawing I did from the studio window on a rainy day. I’ve been wanting to sketch or paint this view for a long time and finally got my chance! I was looking at sketches last week by Hudson River School artist BBG Stone, and became captivated by the way he would zero in on his focal point in a certain area of his drawing, leaving the rest in a more unfinished state. I liked the way it created a vignette within the scene, and I’m looking forward to exploring this style in my drawings and sketches.

Usually I use this approach of a dark and a light on midtone paper in the figure studio, but BBG Stone employed it very successfully in many of his landscape sketches, so I had to give it a go too. I loved working this way! More like this will definitely follow in the near future!

Here is an image you can click on to get a larger, sharper view:

Click painting for a larger, sharper image.
9×12, Oils on archival linen panel
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

This is a new painting of the Thomas Cole House, done from a small plein air painting and a photo as references.