• My sketches are now being posted to my sister site,
    Hudson Valley Sketches
    Please check it out!

    If you'd like to have my daily paintings delivered right to your email box, just.....

    Enter your email address:

    Delivered by FeedBurner



    All images are Copyright Protected and the property of Jamie Williams Grossman. Paintings and photos displayed on this site may not be reprinted, copied, downloaded, displayed elsewhere, or used for any reason without her written permission.



    Jamie Williams Grossman's Profile
    Jamie Williams Grossman's Facebook Profile
    Create Your Badge






    -------------------------------------

    If you haven't seen the two-DVD set, "The Impressionists", you don't know what you're missing!

    the-impressionists.jpg


    I rented it from Netflix and absolutely loved it. It is an enactment of the lives of Monet, Renoir, Manet, Cezanne, Degas, and other Impressionist painters living at that time around Paris. Fascinating and eye-opening!





Archive for the 'Sold' Category

Peach Sunrise in Cold Spring

Posted by Jamie on October 2nd, 2010

101004-Peach-Sunrise-in-Cold-Spring-550v

8×16″, Oils on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

Today was the annual Artists on Location paintout for Garrison Art Center. I drove down from upstate at 5:50am with two artist friends and we decided to spend the morning painting in the beautiful waterfront park in Cold Spring on Hudson. There was a pinky glow on the horizon suring the sunrise, and when I was about half way finished with the painting, some beautiful, wispy pink clouds moved into the scene just at the right time to pop them in. This photo was taken about a half hour before finishing it, so it’s pretty close to done here. We had to deliver the completed paintings to the Art Center by 2pm, and they were all auctioned off in a live auction at 5pm.

Visiting Thomas Cole

Posted by Jamie on September 21st, 2010

100920-Visiting-Thomas-Cole-5x7-450

5×7″, Oils on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

I’ve been wanting to paint this view of the Thomas Cole house from the garden path for years! I had some friends visiting from out of town, so I finally got to do it while they took the house tour and strolled around the grounds. The flowers were so gorgeous, and the yellow exterior of the house glowed, even under the porch roof! That honey locust tree really is that huge; it’s 200 years old! There were a dozen on the property in Cole’s time, hence the name of the estate— Locust Grove.

Boscobel Glow with West Point

Posted by Jamie on September 14th, 2010

100914-Boscobel-Glow-with-West-Point-5x7-4501

5×7″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

Today was Artist’s Day at Boscobel, and in spite of the exquisite weather, it was surprising that only about six other painters were there. The sun glistened on the facades of the buildings at West Point on the opposite hillside, and the glow of the sky reflected in the Hudson River. I’m sure going to miss this awesome weather in another six weeks or so!

For the past few days, I’ve been very attached to my little 5×7″ Guerrilla box. I just can’t let go of this thing! It goes everywhere with me, and I’m starting to enjoy this very small format again, especially since it’s a standard frame size.

Porch Painting — Sailing Past Poets Walk

Posted by Jamie on August 27th, 2010

Porch-Painting-800

12×16″, Oils on Raymar canvas panel
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

Sailing-Past-Poets-Walk-12x16-450

It was a gorgeous day today, and even though I was finishing up this painting from a photo instead of on location, at least I got to do it out on the patio and enjoy the gorgeous weather! This is a scene from Poet’s Walk in Rhinebeck, New York, along the Hudson River. It’s very close to where Chelsea Clinton got married recently. The mountains on the other side of the river are the Catskills.

I enjoyed all the layers of color in this painting. They add so much depth, and it’s always a great challenge to keep so much warm color and contrast in reserve for the foreground as I work from back to front and push the distances.

Here is an image you can click on to see a slightly larger photo of the painting:

Sailing-Past-Poets-Walk-12x16-600

Platte Clove Waterfall

Posted by Jamie on July 26th, 2010

100725-Waterfall-in-the-Woods-9x12-500v

12×9″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

Yep, back to Hell’s Hole again in the Devil’s Kitchen area of Platte Clove to do what I seem to enjoy most these days — painting waterfalls! This eastern section of the Catskills is so loaded with waterfalls. Many of them are challenging to get to, but some are roadside and easily accessible.

East from Huckleberry Point — Catskill Mountains

Posted by Jamie on July 5th, 2010

100705-East-from-Huckleberry-Point2-5x7-GF-450

5×7″, Acrylics on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

This past weekend, my husband and I hiked out to Huckleberry Point in the Catskill Mountains. From the vantage point of these rocks, you can see east over the Hudson Valley to the Hudson River and beyond, south across Platte Clove, and west toward the Catskills and through the clove. It is truly one of the most spectacular places I’ve encountered in these mountain meanderings. We found the hike to be more strenuous than what the guide books described, so if you go, be prepared! We brought our walking sticks along, plenty of water, and lunch to have a picnic — things I’d definitely recommend to others who venture out there.

The painting above was done from one of the photos I took there. You can see the Hudson River near the horizon, working its way southward, and disappearing behind the Gunks.

I pulled out the acrylics this morning. Every time I paint with acrylics I ask myself why I ever paint in oils. These are just too much fun to be legal. I used Golden Fluid Acrylics today, with plenty of Golden Acrylic Glazing Liquid to keep the paint workable. My palette for this painting was:
Hansa Yellow Opaque
Diarylide Yellow
Pyrrole Red
Cerulean Blue Deep
Prussian Blue Hue
Jenkins Green
Titanium White
I loved this palette!

Work in Progress — Gulf Shore Sunset

Posted by Jamie on June 15th, 2010

100615-Sarahs-Sunset-wip-4501

8×10, Oils
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

I didn’t quite have time to finish this today, but should be able to wrap it up tomorrow. This was painted from a photo taken along Florida’s Gulf Shore by my daughter, Sarah. It’s one of those paintings that I thought wouldn’t take nearly as long as it’s taking, but it will be worth the struggle in the end! With a little luck, the completed painting will be posted tomorrow. Stay tuned!

Grazing

Posted by Jamie on June 14th, 2010

100611-Grazing-16x8-oils-500

16×8″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

While driving around Amenia, New York with Tarryl last week, we came upon this wonderful hillside with cows grazing and a converted barn at the top. We pulled our cars over to the side of the road to take photos. The cows were extremely friendly and came right up to us. The owner of the house came out and told us that this cow’s name is Mary. (I don’t remember the name of the calf.)

I love these 1:2 ratio compositions, but it can be difficult to find one that works vertically for a landscape. This one gave me the perfect opportunity, with the house set up so high on the hillside, and the cows down below.

My palette for this painting was the same as yesterday’s, with the addition of Williamsburgh Cadmium Yellow Light and some RGH Transparent Yellow Oxide.

Sunset Over the Reservoir

Posted by Jamie on June 13th, 2010

100613-Sunset-Over-the-Reservoir-5x7-450dk

5×7″, Oils on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

There’s a little bridge that goes over the east end of Titicus Reservoir in North Salem, New York. It’s quite narrow, with a fair amount of traffic, and definitely not a good spot to try to set up an easel! The western view at sunset from that location is beautiful, so from time to time I make a quick stop to take photo references when it looks like the sunset will be especially inviting. This was painted from a photo taken on one of those evenings.

There are several brands that I use pretty much interchangeably, but I thought I’d pull out mostly Williamsburgh paints for a change. My palette for this painting was:
Cadmium Yellow Medium (Williamsburgh)
Cadmium Red (Williamsburgh)
Red Oxide Transparent (Rembrandt)
Cerulean Blue (Williamsburgh)
Ultramarine Blue (Williamsburgh)
Titanium White (Utrecht and Griffin mixed)
Medium: Liquin Fine Detail

West Point from Garrison

Posted by Jamie on May 15th, 2010

100515-West-Point-From-Garrison-8x10-scene-adj-450

8×10″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

I dragged myself out of bed this morning with a sinus infection, ear infection and strep throat (That’s why you haven’t seen any paintings coming off my easel for a few days!) and drove to Garrison to participate in the twice-a-year Artists on Location event. It was cold and windy along the river. I didn’t want to travel far to do my painting, so I set up right on the landing behind Garrison Art Center and painted this view of West Point. I loved the way the deep shadows cast by the foreground trees set up the painting.

There were several other artists painting on the landing too. Everybody was having difficulty holding onto their stuff with the stiff gusts of wind. Several paintings blew off the easels and of course we couldn’t use our sun umbrellas. I was cold and not feeling so great already, so I just did a small panting, finished it up as quickly as I could, framed it in the car, and brought it into the auction venue.

Of course, leave it to me to forget my camera. Grrrr! I took a quick photo of the scene and painting with my camera phone, since I won’t get it back again to photograph it if it sells at the auction. The painting ended up in the shade with most of the scene in the light, so it looks dark, but is not in real life. My phone takes terrible photos; it also can’t focus on something this close, but at least you get a little idea of what I did out there this morning. The auction is at 5:30pm tonight.

Palette:
Raw Sienna
Cadmium Yellow Medium and Deep
Pyrrole Red
Prussian Blue
Ultramarine Blue
Titanium White

Spring at The White House

Posted by Jamie on April 14th, 2010

090412-spring-at-the-white-house-6x8-425dup

6×8″, Oils on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

This was painted from a photo I took while vacationing in Virginia and Washington DC. The magnolias and cherry blossoms were absolutely stunning! There was no time on the busy family trip to paint or even sketch, but I stopped outside The White House and some of the monuments to take some photos for spring paintings. No signs of President Obama out on the lawn that day!

My palette for this painting was:
Cadmium Lemon
Raw Sienna
Permanent Red Medium
Ultramarine Blue
Viridian
Chromatic Black
Titanium White

Rising Mist at Daybreak Over the Hudson River

Posted by Jamie on April 10th, 2010

100410-Rising-Mist-at-Daybreak-Hudson-5x7-GA-450

5×7″, Golden Acrylics on Ampersand Gessoboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

Every once in awhile, we see something so extraordinary that we almost can’t believe it, even when witnessing the scene with our own two eyes. This pink, rising mist on the Hudson River that I saw one morning in Cold Spring as I arrived to paint, was one of those occasions. Initially, it totally obscured the mountains of the Hudson Highlands. As the pink shroud lifted from east to west, the towering hills emerged from the mist.

Spring Romance

Posted by Jamie on April 7th, 2010

Click painting for a larger, sharper image:

090413-spring-romance-8x10-b-600

8×10″, Oils on linen
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

I saw this couple walking among the cherry blossoms in Washington DC. It was the perfect photo op! Blossoms were everywhere—on the path, on the grass, and even on the trees!

Palette:
Cadmium Yellow Lemon
Cadmium Yellow Light
Permanent Red Medium
Permanent Alizarin
Phthalo Blue
Ultramarine Blue Deep
Viridian
Chromatic Black
Titanium White

View from Hunter Mountain — large oil painting

Posted by Jamie on March 27th, 2010

100321-Hunter-Commission-Done-28x42-450

28×42″, Oils on stretched canvas
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

Finished at last! This was such a great painting to work on. Those of you who have been following along may remember that my client for this painting sent me samples of her carpet colors to work into the landscape. They were gorgeous rusts, ochres and muted greens. Selecting a specific color palette is a great way to commission a painting that you know will go with your decor!

Here’s a link to the painting’s beginnings, if you’d like to see how I started it.

Here is a link to the color/compositon study for the large painting.

Lastly, here is a link to the plein air painting I did on location. I took my painting gear up on the chair lift!

Evening Drama

Posted by Jamie on March 24th, 2010

100322-Evening-Drama-12x16-4502

12×16″, Oils on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

This painting was done from a photograph I took at Titicus Reservoir in North Salem, New York, just as the sun was setting. I was hoping for more spectacular colors, but a big cloud front moved in, providing a different kind of drama that was more about mood and less about color.

I used just Transparent Red Oxide, Ultramarine Blue, and Titanium White for this painting. I contemplated putting in more color, but sometimes less is more. I think this was one of those occasions.

Red Poppies After Monet — Miniature Painting

Posted by Jamie on March 18th, 2010

100318-Monet-Red-Poppies-mini-b-450

Golden Fluid Acrylics, 2″ x 1.75″, including frame
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

This is the third time I’ve painted this little Monet copy of Red Poppies at Argenteuil in miniature format. I love doing these little jewels! There are a couple more I want to do soon. They’re such a nice change from my larger pieces. I take them as far as I can with just my glasses on, then switch to a lit magnification lens to finish, all with teeny tiny brushes!

These miniatures are always sent out in gold gift boxes and make elegant gift items for that special occasion. You can commission a scene of your choosing, a scene from one of my other paintings, or a copy of an Old Master that is no longer under copyright protection.

100308-Picnic-Table-and-Palisades-5x7-done-450

5×7″, Oils on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

If you’re feeling a sense of deja vu, you’re right! This is an updated version of the painting I posted a couple of days ago. The picnic bench at the park was lopsided. I thought it was kind of cute and put it that way in the painting, but then decided to straighten it out. I also popped the white sailboat in the background. Initially, I liked it subdued, so that it appeared as a surprise when noticed. As I thought about it and looked at the painting, I felt a more prominent boat would make for a better painting. I also added a few more darks in the background and reds in the foreground. I’m leaving the previous version below so that viewers can see the changes I’ve made.

100308-Picnic-Table-and-Palisades-5x7-450

Today was absolutely gorgeous. I took the opportunity to finally get out of the studio, and went to paint with some friends at the waterfront park in Hastings-on-Hudson. The colors were soft, muted cool and warm tones of spring, so I included the bright red, somewhat-lopsided picnic table to throw a spot of more intense color into the painting.

I love the way this palette of colors is working, so I think I might stick with it for awhile. I used only Prussian Blue, Pyrrole Red, and Raw Sienna (plus white of course). Raw sienna was definitely the dominating color of the landscape today, so using that as my only “yellow” played into the scene perfectly. There aren’t any strong greens or yellow-greens in the landscape yet that would require the addition of a stronger yellow.

Love is a Canvas

Posted by Jamie on February 7th, 2010

Love is a canvas, furnished by Nature, and embroidered by imagination — Voltaire

090203-love-is-a-canvas-3-quarter-425

4×2″, Golden Acrylics on gallery wrapped canvas, miniature easel included
The quote above is inscribed around the stretcher bars on the back of the canvas. Quarter is in the image for size reference only.
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

I immediately thought of this quote when I set up to do this painting. The canvas is gallery wrapped, and the image is painted around the sides of the canvas, so that it can be viewed from all sides. The miniature easel will be shipped with the painting.

It is so difficult to get good photographs of miniatures. They always look much better in person. This one has a fairly dark background with some sheen, so it was impossible to get rid of all the glare from the lights when I took the photo. Here’s another image of it, with a Coke can for additional size reference:

090203-love-is-a-canvas-1-425

For such a little painting, I used a tremendous palette! Colors:
Cadmium Yellow Primrose
Cadmium Yellow Medium
Cadmium Orange
Cadmium Red Light
Pyrrole Red
Cadmium Red Medium
Alizarin Crimson hue
Cerulean Blue hue
Cobalt Blue
Ultramarine Blue
Oxide of Chromium
Jenkins Green
Titanium White
I had a few other colors out there as well, but the ones listed above were the ones I used.

090203-love-is-a-canvas-palette-425

I toned the mini canvas and the sides with a mix of Transparent Red Oxide and Ultramarine Blue Golden Fluid Acrylics. Those dry quickly, so with a little help from my hair dryer, I was then able to use Golden OPEN Acrylics to paint the rest over that toned canvas.

I started working on the basic placement of shapes, and then worked more and more toward contrasts and details. I use blu-tack to adhere the mini canvas to a larger piece of foam board. That way I can hold it securely in one hand when necessary, while painting with the other.

090203-love-is-a-canvas-wip2-425

Creek with Dead Tree — Ode to Thomas Cole

Posted by Jamie on January 22nd, 2010

100122-Creek-with-Dead-Tree-5x7-acr-450

5×7″, Acrylics
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

Just a few miles from this location, Thomas Cole did his famous painting Lake With Dead Trees. That became one of the most important works of the Hudson River School painters. I saw this scene along Schoharie Creek nearby and snapped a dozen photos, determined to paint it at some point as an homage to Thomas Cole, who shared my appreciation of this little corner of the earth.

Sunset Sketch Over Storm King Mountain

Posted by Jamie on January 14th, 2010

080911-sunset-over-storm-king-6x8-3-400

6×8″, Golden OPEN Acrylics on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

I had a true painting marathon on the day I did this painting, leaving the house at 7am and not returning until after 8:30pm. It was a fabulous day of great weather and beautiful scenery in Cold Spring, New York, along the banks of the Hudson River. I can well understand why some of the Hudson River School painters loved to paint from this very spot; I love to paint here too!

This was the last one of the day—attempting to catch the fleeting sunset colors during the few minutes before the light faded into darkness. There’s never enough time to “finish” one when painting sunsets on location. It’s really a matter of grabbing color as it emerges, and hoping for the best!

Serene Sunrise

Posted by Jamie on January 13th, 2010

070812-serene-sunrise-acrylic-9×12-600.jpg

9×12″, Golden OPEN Acrylics on Arches 100% rag hot press watercolor paper, double matted to 16×20.
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

This was painted here in the Hudson Valley, by the lake next to my studio. I was so excited about getting out to paint that I ended up getting up at 4:30, while it was still pitch black. I dawdled at the computer and then all of a sudden realized it was already getting light out! Hoping to not miss my opportunity, I raced out the door just in time to catch this dramatic lighting on the lake and in the sky.

My palette for this painting was Hansa yellow opague, Ultramarine blue, Phthalo blue, Napthol red light, and Titanium white.

Winter Cloudbreak

Posted by Jamie on January 4th, 2010

100104-Winter-Cloudbreak-5x7-450

7×5″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

I was out walking my dog on a snowy morning last week. The snow would start and stop, and there were some occasional, dramatic breaks in the clouds. I was fortunate to encounter one of those breaks as we came to where the path drops down a hill. I love this spot, with the tall evergreen sitting atop the rock outcropping as the path plunges downward. The cloudbreak added to the impact of the vista. I pulled out my camera and snapped a dozen pics! This was painted from one of those photos.

Fall Majesty Along the Hudson River

Posted by Jamie on December 31st, 2009

091230-Fall-Majesty-on-the-Hudson-River-4501

12×16″, Oils on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

This is another painting that was started on location and completed in the studio this week. I showed the work in progress with an image of the scene in a previous post. The humped peak in the painting is Breakneck Ridge. The marsh is where Fishkill Creek empties out into the Hudson River.

When I brought the painting back to the studio and put it up on the easel to add the finishing touches, I pulled up all my photo references from this location. I’d gone there several times during the falll, so I had photos from much of the season. I decided to go back a few weeks in time to when there was more fall in the air and leaves on the trees. I think it added a lot to the painting to be able to fill out that foreground tree.

Hudson River Splendor

Posted by Jamie on December 11th, 2009

090625-Hudson-River-Splendor-HRQ22-5x7-425brighter

Hudson River Splendor — Hudson River Quadricentennial Series No. 22
5×7″, Oils on Ampersand Gessoboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

This is the gorgeous Hudson River view from Olana, home of Hudson River School artist Frederic Church. I was there one night when there was a stupendous sunset, and took as many photos as I could! This is a color study for a larger painting I’d like to do. It gave me a chance to see if the sky colors and values would work, and I’ve decided that they do!

Olana is one of my favorite places to paint, with this stunning overview of the river and the Catskill Mountains in the distance. On the right evening, the scene lights up like a torch.

In celebration of the Hudson River Quadricentennial, I am doing a special series of Hudson River paintings. This one is Number 22 of that series.

Athens Lighthouse from Hudson — Miniature Painting

Posted by Jamie on December 2nd, 2009

091202-Athens-Lighthouse-Miniature-gift-box-450

1.5×2″, Golden Acrylics on 4-ply Rag Bristol, framed
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

These miniature gems are too much fun to be legal! This is a miniature version of an 8×10″ painting that I did en plein air in the spring. You can see that painting by clicking here. I enjoy doing different size versions of the same scene. It gives me a chance to play with the composition and colors and try to turn out something even better each time. In this case, I shortened the peninsula so that the eye has a path around it to travel to the lighthouse.

My miniature paintings come with a gift box and buyer’s choice of either a little table easel, or a golden thread affixed to the back and a tack for hanging salon style.

Here’s a slightly larger, cropped photo so that you can see the painting better. I wish this camera had a better lens so you could really see all the teeny tiny brushstrokes in there!

091202-Athens-Lighthouse-Miniature-500v

So much goes into doing one of these miniatures. They take me longer than paintings many times the size. The first step in the process is to cut the support for the painting. In this case, I used four-ply Strathmore rag bristol. It’s a very expensive support, but at this size I could probably get 100 paintings from a sheet! I size that with Golden Matte Medium, because I love the way acrylic paint takes to that sized surface.

091202-Athens-Lighthouse-Miniature-step1-450

Using a template previously cut to size for that frame, I place it on the new support and draw the rectangle around it. When I finish the painting, I’ll cut to the lines and will have a painting that will fit perfectly into the tiny frame.

091202-Athens-Lighthouse-Miniature-step2-450

I put a tiny dot of blue-tack on the back of each corner, and affix my support to a piece of black foamcore that has also been sized with matte medium. The black helps reduce glare as I work, and makes it easier to support the tiny painting.

I set up my painting reference next to my easel, and put a photo reference of the scene up on the computer. I can zoom in and out of the photo reference to help me with the details, while using the color from my plein air piece.

091202-Athens-Lighthouse-Miniature-step3-400

I sketched in my composition with just a few pencil lines, the coated the whole surface with Transparent Yellow Iron Oxide. That served the dual purpose of sealing the drawing and killing the white of the support.

091202-Athens-Lighthouse-Miniature-step4-400

This is as far as I was able to get without magnification! I have a goose neck lamp with a flourescent bulb and a built-in magnifying glass. I brought that over and worked a couple more hours to finish off the painting. The painting was then cut with an Xacto knife to fit in the frame.

For the sake of the photo of the finished painting, I put it into the frame temporarily. It will actually have to come out to be sealed and then varnished in a week or so. Once that is dry, it will be glued into the frame, and a backing put on that will cover the painting and frame from behind, so it will look like it came straight out of a high end frame shop!

Hopefully you now have an idea of what goes into turning out one of these little gems. They make great gift items.

Clouds Over Ward Pound Ridge

Posted by Jamie on November 26th, 2009

5×7″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

This is a scene from Ward Pound Ridge Reservation in Pound Ridge, NY. This county park is over 4,700 acres of rolling fields, beautiful trees, and hillsides with dramatic vistas. This is a 5×7″ plein air painting—done on location. The sun was in and out of the clouds and it was a real challenge to catch the light!

Fall Color at Olana

Posted by Jamie on November 24th, 2009

Click image for a larger, clearer view:

081025-fall-color-at-olana-8x10-600

8×10″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

Painted late in the day at Olana, overlooking the Hudson River.

Storm King and Breakneck Ridge

Posted by Jamie on October 25th, 2009


24×36″, Oils on stretched canvas
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

This large painting was done on location in Cold Spring, New York over a period of several days. It was pretty windy some of that time, and I thought the painting was going to act as a sail and carry off the entire easel from time to time! I was exhausted by the time the painting was completed, with the long days and long drives over to the location, but it was worth it.

Solo Act — Plein air painting at Olana

Posted by Jamie on October 13th, 2009

091013-Solo-Act-6x8-450nikon

6×8″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

Sunday was the Olana Paintout, an annual event at the estate of the late Hudson River School painter Frederic Church. As I drove along the road that runs through the grounds to the top of the hill overlooking the Hudson, I was immediately captivated by this brilliant red tree standing alone out on the field. I pulled my car off the road and set up my easel on the spot.

This was my first time painting since my hand surgery, and it sure was a challenge with a cast!

Gazing Up at Olana en plein air

Posted by Jamie on October 9th, 2009

070902-gazing-up-at-olana-done-800.jpg

12×16″, Oils on canvas covered hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.
There is nothing for a Hudson River painter quite like standing in the yard at Frederic Church’s estate and looking up at his home, paintbrush in hand. Spending an occasional day at Olana makes me appreciate the history and drama of painting in the Hudson Valley.

This painting, done on location at Olana, needed a few studio tweaks before I could call it done. As you can probably tell by looking at the painting, the drawing of the mansion took up most of my painting time on site! The sun was moving quickly and the lighting changed dramatically before I had a chance to wrap it up. In the studio, I touched up the trees a bit and altered the slope on the left side. Now it’s ready for a special wall—maybe yours?