4×4″, Acrylic on gallery wrapped canvas, tabletop easel included (See below for additional images showing easel)
$125.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

Here is an image of the painting with the tabletop easel that I include:

The scene continues around the sides of the painting, so a frame is not necessary:

I spent a very chilly morning along the Hudson River last week. I did a lot of sketches and took a ton of photos. It was worth braving the cold! This tug was part of the river traffic that entertained me that morning, with the Palisades looming in the background, and the glistening fall foliage.

8×10″, Oils on archival linen panel
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It’s been so gorgeous out these past few days! I drove down to Hastings-on-Hudson to paint along the waterfront. I thought I’d be there painting alone, but three friends decided to join me and we all had a wonderful time enjoying one of these last amazing, warm fall days.

5×7″, Oils on sealed primed hardboard, unframed (Available framed at additional cost.)

$130.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

Rockwood is such a beautiful place to paint in fall. I don’t get down here often, so I try to make the most of it when I can! Often the boats that go by are too far out to show a reflection, or the water is too rough to see it. But this one cast a shimmering image on the water. I was telling some visitors to the park that I’d been waiting for a sailboat to go by so I could pop it into the painting. We all looked up and there it was!

5×7″, Oils on sealed primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

I was painting at Rockwood again, this time from up high on the hillside, looking southward downriver. You can see the Tarrytown Lighthouse from there and the Tappan Zee Bridge, with the New York City skyline in the distance. It’s a spectacular vantage point on the river. Unfortunately, a huge development has been built along the left shoreline. I took it out of the painting so I could view the scene the way it used to be!

5×7″, Oils on sealed primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

My friend Deborah and I went to paint at Rockwood today along the Hudson River. This may well have been the last of the Great Fall Days, and we didn’t want to miss it! The temperature was around 60 degrees, and the park was loaded with friendly people and happy dogs. Deb and I were pretty happy too!

This sailboat stuck around in the field of my painting for about a half hour, tacking back and forth in the river. Just before I finished, a couple got up on the large rocks to admire the view, and I popped them into the painting also.

Here’s a photo I took of the scene as we were getting our gear set up:

5×7″, Oils on canvas covered hardboard
Framed
$260.00 plus $15 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

I spent an atmospheric day along the Hudson River at the Hastings-on-Hudson Waterfront Park last week. I could just barely make out the George Washington Bridge and New York City skyline on this hazy day, but the mood was wonderful! I had a heck of a time photographing this painting, and finally had to just let it dry for a few days to reduce some of the glare.

5×7″, Oils on sealed, primed hardboard
SOLD! Please email me at JamieWG@aol.com to inquire about a similar painting.

If you’re feeling a sense of deja vu, you’re right! This is an updated version of the painting I posted a couple of days ago. The picnic bench at the park was lopsided. I thought it was kind of cute and put it that way in the painting, but then decided to straighten it out. I also popped the white sailboat in the background. Initially, I liked it subdued, so that it appeared as a surprise when noticed. As I thought about it and looked at the painting, I felt a more prominent boat would make for a better painting. I also added a few more darks in the background and reds in the foreground. I’m leaving the previous version below so that viewers can see the changes I’ve made.

Today was absolutely gorgeous. I took the opportunity to finally get out of the studio, and went to paint with some friends at the waterfront park in Hastings-on-Hudson. The colors were soft, muted cool and warm tones of spring, so I included the bright red, somewhat-lopsided picnic table to throw a spot of more intense color into the painting.

I love the way this palette of colors is working, so I think I might stick with it for awhile. I used only Prussian Blue, Pyrrole Red, and Raw Sienna (plus white of course). Raw sienna was definitely the dominating color of the landscape today, so using that as my only “yellow” played into the scene perfectly. There aren’t any strong greens or yellow-greens in the landscape yet that would require the addition of a stronger yellow.

7×5″, oils on canvas covered hardboard
$125.00 plus $10 shipping and insurance within the Continental United States. Please email me at JamieWG@aol.com for International purchases or with any questions.

This is another painting from the Hastings Waterfront Park — a different bench, different cluster of trees, different section of the Palisades, and different angle from the one I posted yesterday, plus it’s a vertical composition. The colors on my palette, however, remained the same.

I’ve gone back into the one I posted yesterday. Tomorrow I’ll post the new version of that one and explain the small changes I made. Stay tuned!

12×16″, Golden OPEN Acrylics on canvas covered hardboard
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This week I’ve been working on touching up paintings done previously. Often I am not 100% happy with a completed painting. I hold off on varnishing those for as long as possible, so that I can make changes to them when I get a chance.

There are things I loved about this lighthouse painting, but when I initially painted it on location, it was early April. The leaves were not yet out on the trees, and the grass had that dull, late winter color. The painting looked way too stark to me, although it was a pretty accurate representation of the scene at the time. I decided to push the season along in my reworking.

I’ve left the original below, because I thought it would be interesting to my viewers to see it and compare them. I’m interested in hearing your comments about the changes. I’ll be posting more of these altered paintings this week, along with their original versions. I hope you find it interesting!

If you’ve ever driven over the Tappan Zee Bridge, across the Hudson River, you’ve likely noticed this sparkling lighthouse near the eastern shoreline. This was painted en plein air on a very cold and windy morning, but I was inspired enough by the view to stick it out and paint. With the New York City skyline in the distance, the Palisades jutting out into the river, and the bridge behind the lighthouse, there was a lot to put into one painting. I liked including the foreground tree too, to give yet another dimensional plane to the work. I’m hoping to return many more times as the foliage emerges. Gotta love that red!

Clouds Over the Palisades: Hudson River Quadricentennial Series No. 23
12×16″, Oils on Raymar canvas panel
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This painting was posted a few weeks ago without the barge and tug. I feel the boats change the painting enough to warrant reposting it. I think they add a lot to the painting, don’t you? When the barge and tug went by, I wasn’t far enough along with the painting to put them in. However, I was quick to grab them with my camera, and so I had the reference image to add them later. They help give scale to the scenery, and are so typical of the boat traffic that goes up and down the river in the course of a day.

I spent a great day down in Hastings-on-Hudson. This wonderful, small park is right on the Hudson River, with the cliffs of the Palisades looming over the far shoreline. The morning started out overcast, but broke into big, billowy clouds by late morning.

This is Number 23 in my Hudson River Quadricentennial Series of paintings, commemorating the 400 year anniversary of Henry Hudson’s voyage up the river.

Below is an image of the painting before I put in the barge and tugboat.

Here is a detail of the boats below the cliffs: